As we stand on the precipice and look
out towards the next two weeks, we are filled with all sorts of bits. Bits
of worry, anxiety, excitement, accomplishment, failure, unity,
division and a sense of something great yet almost beyond our
abilities.
We have a team of 30 something
individuals. Working over four separate locations. Making, changing,
creating, building, problem solving, the list goes on. There have
been a lot of lists. Its the way we often find it easiest to
contextualise our process. For us, as Tin Shed Theatre Co, this
'process' is new, fresh and uncharted territory, a step towards
making theatre without being physically present in the work. Which
isn't strictly the case, but I shant drop a spoiler. We have embarked
on trying to teach our physical language as a company that came
together with a mutual interest to tell character driven stories,
with the weird, bleakly dark and tragic at heart.
'Theatre' I use this in the loosest
sense of the term. It is 'theatre' taken out of context and removed from the literal space. Its become
about community and the bringing together of people in one shared
experience. A machine that if one part was taken away it would
malfunction. Real lives, merged together to make the 'Theatre'
happen. We are constantly thinking of how we share our journey with those
who want to access it. I often wonder why artistic merit is measured
on an end product or set goal? Who sets these? And who is measuring?
Whose feedback am we interested in? At whatever part we see fit to
judge. Who are the judges? Again, we could go on.
Back tracking slightly to June 2017,
after we made Apocalypso we felt broken. Not only physically but
mentally. We made a lot of mistakes, and it took us a long time to
try and unpick the web of confusion that was generated from an
artistic community that we know and respect some who turned their
backs on us when we asked for honesty, and I use the phrase 'turning
backs' as a literal reference. Friends, associates, people we know
and respect, people we have worked with and for, avoided us in bars,
at social gatherings, coughed over their cups of coffee in meetings
when we asked them what they thought about the show. It was awkward,
uncomfortable, and upsetting. Not because we didn't want the truth,
but because everyone felt that they had to hide it from us.
Had we made a piece of
work that was so bad it warranted being ignored? Maybe, we'll never
know. We feel as a company we try and forge an open space where anyone
can and should express they way they feel about our work, we'll take
it, and respect it, you paid for it (or not in the case of Moby Dick
so you can keep your opinions to yourself... I joke) So tell us if
you hated it. As a publicly funded organisation we have a duty to listen to the feedback of everyone who sees our work and we must respond to that. We're not mentioning here the people who took to an
anonymous website to give us their thoughts, which was refreshing,
informative and structured. We always ask ourselves who are we making
our work for? And that is a question, as publicly funded
organisations we should all ask ourselves, and how we can be true to
our funding aims and objectives, as best we can. Transparency in all
elements of our work as an organisation is something we aim for. Lets
share practice, assets, thoughts, opinions and pints.
Apocalypso changed us, as individuals
and as a company and we believe, ultimately has helped us make better
decisions about process and will help us make better work. So if you are coming to see Moby Dick, and want to leave us some feedback here is how https://www.surveymonkey.co.uk/r/YVMZ3BN
So.. the performances are now sold out.
But not entirely. We had online sales of minus 20% of the overall
sales deliberately. We realised very quickly that whilst we make
steps to ensure our work is accessible to a disabled audience, we
were ignoring a complete demographic of individuals who have no
access to all our online promotion or ticket sales.
Online sales
'Sold Out' in 7 days, thats 550 tickets gone, so we took it offline.
We have been out on foot, around Pill with a pocket full of flyers
letting people know these tickets are for them, pointing them towards
our pop up community space 'The Nest'. We talk a lot about trust, and embedding ourselves in a community, we don't claim to have all the
answers and we don't think we'll manage to meet every single aim we
intended to, but we will try.
Again we ask ourselves, who are we
making this for?
We want to continue working in the
community, and you can help us continue this journey. We have set up
a go fund me with an aim to raise £5k towards the running and set up
of a commnity theatre company called 'The Public Theatre' all info
can be found on
https://www.gofundme.com/community-development-donations
Thanks for reading.
Well Moby Dick is certainly causing quite a stir locally now it's running. I'm having a nosey all around your site and I'm very interested in the way you are doing theatre, it seems exciting and fresh. Some great reviews and pics coming out from Moby Dick, it's great to see the transporter bridge being shown off. :)
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